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Kit List

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TPanamic.png
TRycote.png
Tsennheiser.png
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Tdenecke.png
Tcinela_logo.png
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Mixers / Recorders
Microphones
  • 12 - Input Mixer with 16-Track Recorder & Automixing

  • 8 output buses, 2x 2ch camera sent/return

  • integrates a rock-steady Ambient timecode generator

  • records to SD and CompactFlash simultaneously

  • PowerSafe and QuickBoot

2x Sennheiser MKH50
3x Sennheiser MKH8050
2x Sennheiser MKH60
4x Sennheiser MKH8060
1x Schoeps CMC 5 & MK8
1x Sennheiser MKH30
1x DPA5100
30x DPA 4061
10x DPA 6061
7x Sanken COS11D
3x Countryman B6

  • supercardioid mic for in interiors

  • supercardioid mic for in interiors

  • shotgun boom mic for exteriors

  • shotgun boom mic for exteriors

  • bidirectional mic for MS recording

  • bidirectional mic for MS recording

  • 5.1 Surround Mic

  • lavaliers in 5x black, 5x beige

  • lavaliers in 1x black, 1x beige

  • lavaliers in black

  • lavalier in black

Wireless Radio Microphones

  • 16 channels, 10 buses, 20-Tracks Recorder & Automixing

    16 channels of Dante I/O 

  • Dugan automixing or MixAssist for up to 16 channels 

  • 256 GB internal SSD, 2 SD card slots

  • 12 - Input Mixer with 16-Track Recorder

  • 4 output buses, 2x 2ch camera sent

  • integrates a rock-steady Ambient timecode generator

  • records to SD and CompactFlash simultaneously

  • 6 - Input Mixer with 10-track Recorder & Automixing

  • 6 output buses, left/right plus Aux 1/2/3/4

  • integrates a rock-steady Ambient timecode generator

  • records to SD and CompactFlash simultaneously

  • PowerSafe and QuickBoot

  • dual-channel receiver

  • transmitter with on board TC recorder

  • dual-channel receiver

  • transmitter

  • receiver

  • transmitter

  • receiver

  • transmitter

  • Client IEM with headphones

  • wireless stick microphone

  • earwig IEM Transmitter

  • earwig discrete IEM Receiver

  • Linear Fader Controller for the 6-Series Mixer/Recorder Line

Timecode

  • 4 channel Mixer with 3x 2ch camera sent

  • timecode ‘Lockit’ Sync boxes to sync picture and sound

  • SMPTE timecode rates: 23.98, 24, 25, 29.97, 29.97DF and 30 FPS

  • high precision TC clock, inaccuracy less than 1 frame in 24 hours

  • DSLR-ready: Switchable mic/line output + build-in microphone for reference sound

  • timecode connection cables for Arri, RED, Sony, Canon, and others

  • Super small (34 x 50 x 16 mm) and lightweight (30 g)

  • 32bit TC pocket recorder

  • 8 - Input Mixer with 10-Track Recorder

  • 4 output buses

  • integrates a precise timecode generator

  • records to 2x SD cards simultaneously

Boom Poles
  • 1.50m - 5.00m Drama boom pole

  • 1.50m - 5.00m Drama boom pole

  • 1.50m - 4.06m Drama boom pole

  • 0.80m - 3.00m ENG boom pole

  • 0.73m - 1.83m Short boom pole

  • 0.48m - 1.45m Short travel boom pole

  • 0.66m - 2.67m ENG internal wired boom pole

Other

  • Cinela, Radius and Rycote windshields and suspensions

  • plenty of cables and adapters

  • C-stand, clamps, tapes and audio-grip accessories

  • plenty of batteries to cover long hours

  • The Digital Time Code Slate reads and displays SMPTE/EBU Time Code; it utilizes an internally mounted SB-2 Syncbox Time Code Generator. 

  • This unit Jams to all standard frame rates including 30 df; user bits jam automatically when the time is set.

  • The high stability crystal ensures low drift and now comes standard with the TCXO option for extreme temperature ranges.

   I have a good relationship with the local rental house if anything extra or specific needs to be hired in.

My sound kit can be tailored to fit your budget and filming requirements.

Fully Licensed via PMSE – Ofcom to use CH38 606.500 - 613.500 MHz and 823 - 832 MHz for my wireless radio microphones.

A proud member of AMPS and BECTU.

 

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